For a summer read, the Earth鈥檚 distant future seems an ideal place to
get away from it all. Gwyneth Jones鈥� North Wind (Gollancz, pp 281, 拢15.99)
depicts a world torn apart by war between men and women, or rather 鈥楳en鈥�
and 鈥榃omen鈥�, for the protagonists feel loyalty towards gender rather than
biological identity. A confusion of loyalty to the occupying aliens creates
a third force longing to get off Earth, escaping the slums and schisms.
Uncomfortably close to the poor backstreets of present-day cities 鈥� here,
the decaying malls are full of cheap VR games, constant hustling to trade
and survive 鈥� Jones creates a complex and gritty version of the quest novel.
Ian Banks鈥� Feersum Enjinn (Orbit, pp 279, 拢15.99) makes the reader
work: the title and one character deal with words phonetically and forcefully,
a slight hurdle to the speed-reader grabbing at the essence of the story.
Again, a future Earth lies in rubble and decay, collapsing megatowers
shake the ground, while Count Sessine tries to lose his eighth and last
life in a war between kings and engineers. Banks keeps you turning the pages,
fighting the phonetic spelling and revising reality as you go.
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